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20121222
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: michael moore. host: i'm sorry? caller: michael moore. capitalism is dead. host: george, good morning. caller: good morning. george will. he is not an office holder and has no intention of running for public office. he gave a lecture in st. louis on december 4 and it was aired on c-span last evening. it was about progressivism and how would differs from thomas jefferson's vision and view of the basis for our government founded in natural rights. wilson was the opposite in his view. a little bit of a man involved subject. the movement started with president wilson and basically 100 years ago. george will analyze it in his lecture at the differences between the declaration of independence upon which thomas jefferson based the fundamental rights, the natural rights as announced in the declaration of independence. host: what is it about mr. will that makes him a hero to you? caller: he has consistently for decades espoused in billion form. fo brilliant writing he is a conservative in the truest sense of the word. he made clear the distinction between what happened in the french revolution
, maggie haberman. michael steele, notorious as we call you here. thank you for your time. indubable. chris solizza. >> i assume they are compliments. >> they are $5 compliments. >> emmy darling. emmy darling. the man with the golden throat. cnbc guru john harwood. our favorite wonk of them all. president obama's money bunny bill burton. >> money bunny? >> given the hop to it attitude. current editor of "now." >> we want to make you the official cultural ambassador of the program now. >> okay! >> we can always count on a little help from our friends. >> always handsome martin bashir. >> you've put me between two of the most attractive people on this network, jonathan capehart. >> i got a title, did you know that? >> this is a legendary moment. >> this is hot. >> this is hot. >> in the days before my time, less known your time -- >> we're just babies around you. >> that's why i come on, to get my wag on. i get my wag on. >> stop right now. >> now! >> thank you for getting me wag on. >> anybody watching this show, by the way, doesn't have direct plans to vote is an idiot. go vote, vote. don't
beings. >> very well stated. thank you very much. that's "the ed show" i'm michael eric dyson in for ed schultz. "the rachel maddow show starts now. ezra klein is filling in for rachel tonight. >> thank you, michael. thank you to you at home for sticking around for the next hour. rachel has the night off but we have big news out of washington, where nothing is happening. the house is not in session, and as of this moment has no plans to be in session for the end of the year. nothing is stirring, not even harry reid. yes, i'm still in the christmas spirit. the president meanwhile is in hawaii and won't be returning until tomorrow. now, normally nothing happening would not be big news in washington. nothing happening is kind of the status quo in washington. getting nothing done is to our political system as saying great is to tony the tiger. it's just kind of what we do now. right now, this week, nothing happening is huge news. the reason is that usually when washington doesn't do anything nothing happens. you do nothing, nothing happens. that's how it goes. in fact that's why people call
are joined by lock-in -- michael gordon of the new york times. "the endgame" is the most recent book. if you could summarize for us? >> it took three years. the first comprehensive history of the war in iraq and what makes it unique is i incorporate not only american policymakers but all the iraqi leadership from mr. maliki, president talibany, rivals and enemies supply inc. the iraqi account of what was going on and be accountable was happening on the battlefield. i covered the war in iraq for the new york times for the whole conflict. >> why did you call it "the endgame"? >> i covered the surge and is the end game of american military conflict and the last part of the book covers the obama administration. it has not been well covered by the media in terms of what the policy was in iraq. i learned a lot doing it. during the campaign president obama talked a lot about the goals that ended the war in iraq and took out the troops. what i discovered in doing the book is the administration's own policy objectives in iraq, narrowed objectives went far beyond taking out the troops. extended to rem
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. i have no idea why i like the show -- the think it's less about details. michael described it as it's not a palemic and i think audiences smell propaganda but if you can introduce the complexity of what they do. "24" was not about a good choice and bad choice but the better of two bad choices. if there was a formula of "24" that would have been it. and i think these people saw and president obama sees as well there is something about the presentation of the complexity of some of the things that people who are charged with these jobs have to deal with. writing it and imagining it makes me glad it's not my job just imagining how tough some of these decisions must be makes you grateful. >> the verse that we show in frost nixon "the queen" and that is how much responsibility you take with that, especially when art itself is working in metaphors. when people ask me about there is a pivot al scene in "frost nixon" which never happened. how could you show that because that is a pivotal moment in the piece. and the same with "the queen," that never happened. nixon did used to make phone cal
Search Results 0 to 5 of about 6